Monday, March 4, 2024

Understanding Connection in Argentine Tango

Understanding Connection in Argentine Tango

Understanding Connection in Argentine Tango

Before stepping onto the dance floor for the first song of a tanda at a milonga, introspection becomes key.

My energy and what I bring to my partner shape our dance, influenced by factors like sleep from the previous night, health, nutrition, etc. Tango, to me, is an offering of generosity, a crucial element to forging a deep connection.

Generosity mirrors the joy of giving unexpected gifts to friends, enhancing our bonds. This philosophy extends to Tango. Preparing for a milonga isn't just about physical readiness but achieving emotional and mental balance. I avoid bringing negative emotions into the dance space, striving instead to share joy and positivity.

Personal grooming and a relaxed approach en route to the milonga are parts of my ritual, symbolizing respect for the event and participants. Connection in Tango starts with self-awareness, feeling grounded, and in tune with my partner's presence.

I value dancing with those who share a common love for Tango, including students, as it transcends mere instruction, evolving into meaningful friendships. These relationships are based on mutual joy rather than obligation, a principle I emphasize when teaching the concept of connection.

Teaching in small groups or private lessons allows for personalized guidance, focusing on comfort and connection with oneself and one's partner. Every individual and couple has unique challenges and growth paths, underscoring Tango's absence of a one-size-fits-all approach.

As an illustration of profound connection, I reflect on Osvaldo and Coca Cartery's dance at the "Porteño y bailarín" milonga anniversary in Buenos Aires. The audience's familiarity with each other and the dancers showcases the deep, communal bonds within the Tango community, a testament to the essence of connection in Argentine Tango.

In my next article, I will talk about musicality. For now, I leave you with this concept:

The music is your friend too.

Continue learning Argentine Tango:

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Monday, February 26, 2024

Argentine Tango private lessons

Argentine Tango private lessons

💥 Break Free from the Routine: Together, we'll discover new movements, explore innovative choreography, and deepen your connection with your dance partner. Get ready to take your Tango to the next level! 
Argentine Tango private lessons




In the San Francisco Bay Area




In-person private lessons in San Francisco, San Jose, and Lafayette.




Private lessons offer numerous advantages for learning Argentine Tango. They provide personalized instruction tailored to your skill level and goals, leading to accelerated learning and a deeper understanding of Tango's intricacies. With focused attention on technique, musicality, and partner connection, private lessons build confidence and prepare you for social dancing. The flexibility in scheduling, ability to correct habits, and potential for intensive learning make private lessons indispensable in developing your Tango skills.


Contact us for a 10% discount promotion code if you are a new student.




Lessons are 50 minutes long and will be booked after payment is received.




See your options:




Private lessons for couples


You and your partner can practice together, both receiving consistent advice from watching your dance.



One lesson for a couple

$120

Paid in advance



Book

4 lessons for a couple

$440

($110 each lesson)



Book

10 lessons for a couple

$1,000

($100 per lesson)



Book

20 lessons for a couple

$1,800

($90 per lesson)



Book

Private lessons for one


If you want to take private lessons by yourself and enjoy the advantage of working on your dance while dancing with an expert, I will be honored to be not only your instructor but also your partner in these lessons.



One lesson for one

$160

Paid in advance



Book

4 lessons for one

$600

($150 each lesson)



Book

10 lessons for one

$1,300

($130 per lesson)



Book

20 lessons for one

$2,200

($110 per lesson)



Book

Private lessons with two Tango Masters


Work with not just one, but a couple of experts Tango Maestros: Marcelo Solis and dance partner.



One lesson with a MASTER COUPLE

$180

For individual or couple



Book

4 lessons with a MASTER COUPLE

$680

For individual or couple



Book

10 lessons with a MASTER COUPLE

$1,600

For individual or couple



Book

20 lessons with a MASTER COUPLE

$3,000

For individual or couple



Book

-


More about private lessons

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Semi-private classes

-


Questions?
https://escuelatangoba.com/marcelosolis/tango-classes/private-lessons/

Monday, February 19, 2024

Argentine Tango private lessons

Argentine Tango private lessons

Argentine Tango private lessons

Are you tired of the endless repetition in your tango sequences? 🌟Unleash Your Tango Potential with Exclusive Private Lessons ✨💃🏻🕺 Break free from the cycle of monotony and reignite your passion for dance. In my private lessons, , you'll embark on a captivating journey through the art of Argentine Tango. Say goodbye to routine as we delve into a world of creativity, finesse, and expression, all tailored to your individual needs and aspirations. Book Your Tango Adventure Now!
#ArgentineTango


In the San Francisco Bay Area




In-person private lessons in San Francisco, San Jose, and Lafayette.




Private lessons offer numerous advantages for learning Argentine Tango. They provide personalized instruction tailored to your skill level and goals, leading to accelerated learning and a deeper understanding of Tango's intricacies. With focused attention on technique, musicality, and partner connection, private lessons build confidence and prepare you for social dancing. The flexibility in scheduling, ability to correct habits, and potential for intensive learning make private lessons indispensable in developing your Tango skills.


Contact us for a 10% discount promotion code if you are a new student.




Lessons are 50 minutes long and will be booked after payment is received.




See your options:




Private lessons for couples


You and your partner can practice together, both receiving consistent advice from watching your dance.



One lesson for a couple

$120

Paid in advance



Book

4 lessons for a couple

$440

($110 each lesson)



Book

10 lessons for a couple

$1,000

($100 per lesson)



Book

20 lessons for a couple

$1,800

($90 per lesson)



Book

Private lessons for one


If you want to take private lessons by yourself and enjoy the advantage of working on your dance while dancing with an expert, I will be honored to be not only your instructor but also your partner in these lessons.



One lesson for one

$160

Paid in advance



Book

4 lessons for one

$600

($150 each lesson)



Book

10 lessons for one

$1,300

($130 per lesson)



Book

20 lessons for one

$2,200

($110 per lesson)



Book

Private lessons with two Tango Masters


Work with not just one, but a couple of experts Tango Maestros: Marcelo Solis and dance partner.



One lesson with a MASTER COUPLE

$180

For individual or couple



Book

4 lessons with a MASTER COUPLE

$680

For individual or couple



Book

10 lessons with a MASTER COUPLE

$1,600

For individual or couple



Book

20 lessons with a MASTER COUPLE

$3,000

For individual or couple



Book

-


More about private lessons

-


Semi-private classes

-


Questions?


https://escuelatangoba.com/marcelosolis/tango-classes/private-lessons/

Wednesday, February 14, 2024

Unlock the Rhythmic Magic: Dive into Milonga Traspié with Our Beginner Tutorial

Unlock the Rhythmic Magic: Dive into Milonga Traspié with Our Beginner Tutorial

Unlock the Rhythmic Magic: Dive into Milonga Traspié with Our Beginner Tutorial



🎥 Welcome to our "Learn to Dance Milonga Traspié" tutorial! Dive into the captivating world of Milonga Traspié, a style cherished by the finest milonguero maestros of Buenos Aires.



💃 Whether you're new to the dance floor or seeking to refine your skills, these six video clips are crafted to guide beginners through the intricacies of this rhythmic and dynamic dance form.



🕺 Throughout this tutorial series, you'll master:



1️⃣ Basics of Milonga Traspié: Lay a solid foundation with essential steps and rhythms, ensuring a smooth entry into the world of Milonga Traspié.



2️⃣ Technical Details for Partner Connection: Elevate your dance experience by honing your connection with your partner, whether you lead or follow. Discover nuanced techniques to enhance communication and harmony on the dance floor.



3️⃣ Variations of the Basic Step: Expand your repertoire with variations of the fundamental Milonga Traspié steps, adding depth and versatility to your dance style.



4️⃣ Walking Variations: Explore dynamic walking techniques, including the circular walk and the playful amague (fake out), to infuse your dance with creativity and flair.



5️⃣ Embellishments in Milonga: Learn to embellish your movements with subtle yet expressive touches, elevating your Milonga Traspié to new heights of artistry.



6️⃣ Change of side: Learn to make your dancing more dynamic and playful.



🎶 Each video clip is carefully crafted to provide clear demonstrations and detailed explanations, ensuring that you grasp each concept with ease and confidence. Whether you're dancing solo or with a partner, these tutorials will empower you to navigate the exhilarating world of Milonga Traspié with grace and skill.



💫 So, lace up your dancing shoes and join us on this exciting journey! Let's unlock the rhythm, passion, and joy of Milonga Traspié together.



See more video lessons:



See all video lessons


https://escuelatangoba.com/marcelosolis/argentine-tango-class-on-milonga-introduction/

Thursday, February 8, 2024

Navigating the Argentine Tango Milonga Scene: A Beginner's Guide

Navigating the Argentine Tango Milonga Scene: A Beginner's Guide

Navigating the Argentine Tango Milonga Scene: A Beginner's Guide

So, you've heard about milongas and are eager to join in on the dance floor.

But what exactly do you need to be able to go to these vibrant gatherings of Argentine Tango enthusiasts?

Let me break it down for you.

First and foremost, having basic social skills is key. Just like attending any other social event, you want to present yourself in a friendly and approachable manner. Make sure you're clean and well-dressed, and be mindful of how you interact with others - whether it's formal or informal depends on your relationship with each person.

If you're new to the milonga scene, it's a good idea to get an invite from someone who's a regular attendee. This can serve as your bridge into the community and help you integrate more smoothly.

One way to find connections to milongas is through your tango classes. Fellow students who have been attending milongas can often introduce you to the scene.

And if you're taking private lessons, your instructor can be your gateway to the milonga world. In fact, preparing students for the milonga experience is a primary goal of many Argentine Tango instructors.

Now, don't feel pressured to dance right away when you attend your first milongas. It's perfectly okay to just observe and soak in the atmosphere. Remember, the main purpose of a milonga is to facilitate the dance of Argentine Tango among its participants, but this happens naturally as part of the socialization process.

Dancing at milongas should be a choice made freely, without any sense of obligation. So, be considerate of others and never make anyone feel compelled to dance with you. Keep in mind that the beauty of tango lies in its freedom, and dancing under the weight of obligation simply isn't authentic.

In conclusion, to thrive in the milonga scene, focus on building your social skills, make connections through classes or acquaintances, and always approach the dance floor with a sense of freedom and respect for others. With these principles in mind, you'll be ready to immerse yourself in the captivating world of Argentine Tango milongas.

More articles about Argentine Tango



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Monday, January 29, 2024

Mastering the Art of Argentine Tango: A Roadmap to Dance Excellence

Mastering the Art of Argentine Tango: A Roadmap to Dance Excellence

Mastering the Art of Argentine Tango: A Roadmap to Dance Excellence

Building Your Tango Foundation: The Power of Solo Practice and Musicality

Regular practice incorporating walking, weight changes, pauses, pivots, turns, "paradas" (stops), "calecitas" (merry-go-rounds), and embellishments serves as the cornerstone of your dancing freedom.

The best part? You can enhance these crucial elements without a partner by your side.

But that's not all. Argentine Tango demands solo dedication in various aspects.

Musicality, for instance, plays a pivotal role in your tango journey.

To hone your musicality, immerse yourself in active listening to Tango music, delving into the intricacies of what you hear.

This newfound understanding will elevate your dancing to new heights.

The forthcoming tips are universally applicable, whether you're engaged in solo practice or dancing alongside your partner:


1- Enhance Your Walking Skills:

Unlock the Potential in Your Walking Technique Initiate your practice sessions focusing on walking.

Explore four different walking speeds: regular, fast, slow, and very slow.

Begin by mastering the slow pace, allocating 4 counts for each step.

Next, dedicate time to practicing at a regular pace, aligning your steps with each downbeat of the music.

To work on fast-walking skills, engage in what's commonly referred to as the "corrida."

This involves walking to a rapid rhythm following a quick-quick-slow pattern or a down-up-down sequence.

Tango invites you to transform your walk - and, by extension, your entire life - into a masterpiece of artistry.

More walking exercises...

2- Change Of Weight:
A 'change of weight' is essentially a nuanced form of walking. It takes place in one spot without any physical displacement.


When you begin your dance, consider incorporating at least one change of weight to infuse elegance into your movements. However, avoid excessive changes, as moderation is key.




Here, you'll discover a selection of exercises aimed at refining and enhancing your ability to execute seamless changes of weight:



Approach these changes with a composed demeanor. When dancing with your partner, your execution of this element should convey a soothing and serene presence to them.







More change of weight exercises...





3- Pauses:

Pauses rank among the paramount components of Tango.



While honing your techniques, actively seek instances where you can incorporate pauses.




For instance, consider incorporating a pause during a salida to the side, also known as a "salida in 2," as a prime example.



You can make a pause in position 3:



After change of direction:



4- Pivots:


To refine your pivot technique, you can commence with bar exercises.



In the absence of a bar, utilize a chair, preferably one with a high backrest, to assist in practicing forward and backward ochos. Place your hands on the back of the chair for support.



Afterward, push your limits by practicing ochos without relying on the bar or chair for support.



Work on forward and backward ochos with both displacements and without any displacement during your practice sessions.



5- Mastering the Art of Tango Turns: A Guide to Five Essential Techniques


One of the most effective methods for enhancing your turning abilities in Argentine Tango is through chair exercises. These exercises provide an excellent platform for refining your technique and balance, making them valuable to your practice routine. Incorporating chair exercises into your training regimen can significantly improve your turns and elevate your overall dance performance.




Chair exercises offer a controlled environment where you can focus on the precise mechanics of turning. They allow you to work on your posture, balance, and footwork, which is essential for executing smooth and graceful turns in Tango. The support provided by the chair also ensures that you can practice safely and confidently, gradually building your skills.




Find a sturdy chair with a high backrest to get started with chair exercises for turns. Position it in an open space with ample room to move around. Here are some essential exercises you can incorporate:



And exercises involving the 1-2-3 structure of the turns:



Ensure that you practice all exercises in both clockwise and counterclockwise turning directions.



Engage in chair exercises but without the use of an actual chair.



Another element frequently incorporated into turns is the "rulo."



And "enrosques" movements:



6- Exploring the Technique of "Paradas" (stops):

Developing control over both your own inertia and your partner's is a crucial skill in Argentine Tango.



A valuable practice method is to challenge yourself to halt your movement at any point within the first five elements previously mentioned.




A classic illustration of stops is the "sanguchito" or "mordida" move:



7- Unlocking the Elegance of the "Calecita" in Argentine Tango

In this element, the follower must align her axis over one of her feet, enabling the leader to maintain a continuous pivot in one direction.



See an example:



8- Elevating Your Tango with Exquisite Embellishments:

A solid foundation in your dance forms the basis for its beauty.



Think of embellishments as a natural expression of your well-honed technique rather than mere add-ons or flashy movements.




It's crucial to understand that no matter how many embellishments you incorporate into your dance, if your foundational walk is lacking, it will detract from the overall appeal.




Embellishments should seamlessly emerge from the groundwork you've laid in your dance practice. They are not isolated tricks but rather an integral part of your dance vocabulary, enhancing the elegance and expression of your movements. So, focus on building a strong foundation first, and let embellishments naturally enrich your dance as an organic extension of your skills.




Here are a few instances of embellishments, starting with "Cepillo" (brush):



"Rulos" (circles):



"Cross and go":



9- The Art of Musicality:

Elevating your musicality involves actively immersing yourself in the world of Argentine Tango music.






Listen to Tango music now!





Osvaldo Pugliese, Argentine Tango orchestra.


Important Considerations to Keep in Mind:



Embrace regular and mindful practice.



Ensure it fills you with joy. By prioritizing your own enjoyment during practice, you cultivate generosity in sharing this joy with your dance partners and fellow dancers on the milonga and class floors.




Furthermore:

Dancing shouldn't be daunting – It's a journey of joy, creativity, and self-discovery.



Dancing is your time for amusement, self-expression, and relaxation, a chance to socialize and unwind in a friendly environment. To dance with a sense of freedom and confidence, you'll need to embrace a challenge greater than Tango itself – the journey of classes and practice sessions.




Moreover:


Prioritize self-care for peak performance in your dancing.



- Incorporate stretching and regular exercise into your routine.


- Cultivate healthy eating habits and ensure adequate sleep for enhanced dance performance.

To Summarize:




Dancing Argentine Tango offers a path to not only organize your life but also to empower yourself and discover meaningful life goals.



Ultimately, it's a journey towards making life more beautiful.






Learn to dance Argentine Tango





Continue learning Argentine Tango:





More articles about Argentine Tango




Marcelo Solis answers what is Argentine Tango. He is an expert.

How to dance Argentine Tango?

An introduction to the most important details



Find the answer



Anibal Troilo and his orchestra | Argentine Tango music to learn to dance

Argentine Tango music

Music to learn to dance



Listen and dance!



History of Argentine Tango: El Cachafaz and Carmencita Calderon at Tango (Movie 1933)

History of Argentine Tango

Tango is a culture



Learn more about Tango


https://escuelatangoba.com/marcelosolis/argentine-tango-what-do-you-need-to-improve/

Sunday, January 7, 2024

Di Sarli, Carlos

Di Sarli, Carlos

Di Sarli, Carlos

"El Señor del Tango"

Pianist, composer, and leader.

(January 7, 1903 - January 12, 1960)

He was a talented pianist, maybe one of the most important, who conducted his orchestra from his instrument, with which he mastered the outfit's synchrony and performance.

In his orchestral scheme, there were no instrumental solos; the bandoneon section sang, at times, the melody, but it had an essentially rhythmic and danceable role. Only the violin was showcased in a highly delicate way, on a brief solo or a counter melody.
The piano-led in a suggesting way, with an embellished bass line, which turned into a trademark of the maestro, linking the bars of the piece and stressing the delicate, elegant rhythm, especially for dancing. Learn more at todotango.com.

More Tango music



https://escuelatangoba.com/marcelosolis/argentine-tango-resourses/argentine-tango-music/di-sarli-carlos/

Tuesday, January 2, 2024

From Posture to Pivot: A Journey to Excellence in Argentine Tango Dancing

From Posture to Pivot: A Journey to Excellence in Argentine Tango Dancing

From Posture to Pivot: A Journey to Excellence in Argentine Tango Dancing

Learning to dance Argentine Tango requires passionate dedication and practice.

Here, we offer indispensable details regarding Argentine Tango and exercises to help you improve your dancing skills.

Whether you are a beginner without any dancing experience, an intermediate dancer looking to polish your dance, or an advanced dancer in search of perfecting your moves, practicing these exercises as often as possible will take your dance to the next level.

Our Argentine Tango semi-private (small group) classes and private lessons at Escuela de Tango de Buenos Aires focus on posture, walking, awareness, connection, and musicality.

This article offers essential insights and practical exercises to help you become a great Tango dancer, a true milonguera or milonguero.

Practicing them often will improve your technique, allowing you to express your emotions and achieve a superb interpretation of the music.

To learn more about Argentine Tango music, please refer to our dedicated page...

Posture

Definition:

Our upright posture manifests extraordinary qualities.

We, humans, are unique among all known species. Our upright posture manifests extraordinary qualities. By the way, we stand up and present ourselves; we tell our own story, who we are, what we strive for, our dreams, our ideals, our thoughts, and our emotions. Through working on our posture we work not only on our body but on our entire persona. Therefore, from the perspective of a milonguero, good posture is not merely instrumental, achieved and developed only for the purpose of dancing well, but, in addition to our dance, the way we exist, presented to ourselves and everybody. What we can see in our posture (whether it’s the same or different from what everyone else sees) informs us and shows what we can improve about ourselves.



Technical details and exercises:



- Legs and feet together, your weight distributed equally between them.

- Shift your weight to one foot, displacing your vertical axis in the direction of the foot that holds your weight.


- Keep the inside edge of your foot that is free of weight in contact with the floor (“inside edge position”).


- Maintain your weight comfortably on the standing foot by conducting the weight of your body through it to the floor.

- Knees close to each other. Your knees maintaining a constant connection to your axis, which passes through the center of your body, from the top of your head to the center of the base of your body in regard to your weight distribution on one foot or between both feet.

- Hips level, your ilia (hip bone) parallel to the floor, aligned with your transversal plane.

- Torso aligned with your vertical axis, head rests on your torso, which rests on your legs.

- Neck and head aligned with the same vertical axis.

- Alignment of all your body parts to your central axis becomes essential: head, neck, torso, hips, legs, feet.

- Eyes looking forward. Sight aligned with the floor, looking to the horizontal line.





Walk



Definition:

As with our posture, our human walk is also unique.

As with our posture, our human walk is also unique. In the case of dancing Tango, we are required to develop a way of walking which, remaining natural, serves the purpose of walking in the intimate company of our partner, embraced by each other, among other couples, creating a silent poetic dialogue with our bodies and in connection with the cadence of Argentine Tango music. This kind of music was devised to serve such a purpose, and always guides us on how to move in such situations.



Technical details and exercises:



- After shifting your weight to one foot, move the leg that is free of weight forward and backward like a pendulum, maintaining light contact with the floor, using the "inside edge position" when passing through the "collect position” when both feet are together.







- Then move the leg that is free of weight to the side, keeping your foot in touch with the floor, always using the “inside edge position”.







- Last, make small circles while keeping your foot in touch with the floor, using the "inside edge position" while passing through the "collect position” when both feet together, and when stepping into the side position.







- Keep your ilia at the same height, parallel to the floor, aligned with the transversal plane.

- The movement of your leg is rooted in the ball and socket joint, which connects your femur to your hip.

- Release both your knee and ankle joints so they can move freely.

- The knee of the supporting leg is in a relaxed, ready state, neither bent nor locked.

- Walk naturally, swinging the leg that is free of weight forward, extending it a little, letting your axis move in the same direction and maintaining it vertically through the transition, pushing gently from your back standing leg, and transferring your weight to the front leg at the end of this process, keep your foot in touch with the floor, softly, without dragging it.







- Reverse the process to walk backwards. Pay close attention to the back of your foot by pointing it backwards when extending the leg that is free of weight, keep your foot in touch with the floor at all times, softly, without dragging it.

- Maintain all details regarding your posture as described before.

- At every step, take a back and forth step movement, changing your weight between feet. Practice this exercise going forward and backward.







- Use this element to change directions when walking forward to backward and vice versa.





Pivot



Definition:

Rotation of your body's axis as it passes through the ball of your standing foot.

Rotation of your body's axis as it passes through the ball of your standing foot. To pivot, rotate your torso in a clockwise or counter-clockwise direction, producing a torque which gently pulls your lower body into a rotation that follows in the same direction as your torso.



Technical details and exercises:



- Maintain the “inside edge position” when you pivot.







- Step forward after pivoting, aligning your foot that is free of weight with your lower sagittal plane.







- Direct your step forward in a circular trajectory around your partner. Orient the center of your torso towards the central axis of the couple.

- From the step forward to the next position going forward, in which you will transfer your weight to the front foot, your torso is already rotating towards the center of the couple, so the foot that remains behind, by the pull of this torsion, which takes the shape of a spiral, turns your back foot, first, to the inside edge in contact with the floor, and then, makes it travel to your sagittal line, to the “collect/inside edge position”.

- After this “collect/inside edge position”, we research these possibilities: 1. Forward ocho: Pivot more continuing in the same direction of your established rotation and move the foot that is free of weight forward, in alignment with your lower sagittal plane, your torso torquing according to counter body movement, orienting the center of your chest to the central axis of the couple. 2. Forward-side: Pass the foot that is free of weight behind the heel of your standing/pivoting foot while keeping the inside edge in contact with the floor, and continue to the side around your partner.





3. Backward ocho: When you reach the collect position, reverse the movement, bringing the leg that is free of weight back to the starting point when it was behind you. At this point you can collect/inside edge position and from there: a) Continue pivoting the same direction as your established rotation and move the leg that is free of weight backward, aligned with your lower sagittal plane, your torso torquing according to counter body movement, orienting the center of your chest to the central axis of the couple (backward ocho).





b) Reverse the rotation of the pivot and return forward with the leg that is free of weight to the previous position (boleo).





NOTE about knees: the knee of the leg that is free of weight passes behind the standing leg, fitting its convex shape into the concave space behind the knee of your standing leg, moving all around the standing leg until getting its concave back in front of its convex shape, making your feet end crossed. Your standing leg needs to be in a relaxed ready position, neither bent nor locked, while your leg that is free of weight is extended with a tension comparable to the tension of a well-tuned musical instrument string. Exercise: Move your leg that is free of weight around your standing leg back and forth.





Boleo



Definition:

A back and forth movement of the leg without changing weight.

Since our legs move like pendulums, a back and forth movement of the leg without changing weight is possible. We call this “boleo”. This pendular movement of the leg that is free of weight is most often combined with the spiral movement of the leg described above in relation to pivoting.



Technical details and exercises:



- Keeping the leg that is free of weight in the "inside edge position," pivot back and forth, allowing it to swing like a pendulum, while maintaining the details described above about knees and legs.







- Do forward and backward ochos and practice the back and forth pendulum in every pivot.





Connection



Definition:

We are supremely gifted with the ability to connect to others.

We are supremely gifted with the ability to connect to others. It is also an intrinsic necessity of our human condition. Our capacity for connection with other human beings predates the appearance of language. Dancing Tango puts this primordial skill into play, connecting us without words.



Technical details and exercises:



- Partner up facing each other and walk forward and backward maintaining the same distance between partners. One must lead and the other must follow.







- When the leader walks backward, he places his partner to the right as the follower walks forward (outside partner position).

- When the leader walks forward, he will walk in front and outside partner position. His left leg will always make the first step outside and in front.



Line of dance



Definition:

All couples on the dance floor move counter clockwise direction.

All couples on the dance floor move counter clockwise direction.



Technical details and exercises:





- Partner up and face each other on the dance floor, oriented in a way that the leader walks forward and the follower walks backward, the couples travel on the dance floor in a counter clockwise direction.

- Hands on each other’s shoulders.

- Walk in outside and in front partner position.

- Pause when in front of your partner.

- Lead forward/backward movement when in outside partner position.



Systems



Definition:

There are two fundamental ways to combine movement of the four legs of a couple.

There are two fundamental ways to combine movement of the four legs of a couple: 1. Parallel system: The leader's left leg moves in sync with the follower’s right leg and vice versa. 2. Crossed system: The leader's left leg moves in sync with the follower’s left leg and vice versa.



Technical details and exercises:

Walk in front of each other, leaders forward and followers backwards.





- In parallel system, inside/outside.

- Change of system technique: leader’s left step, feet together, left again; followers always move the foot that is free of weight.







- In crossed system: 1. On the open side.





2. In front.





3. On the closed side.





NOTE about distribution of weight: Leaders always rest their weight on both feet; followers are always lead to rest their weight on one foot.



Embrace



Definition:

It’s a very humane characteristic.

It’s a very humane characteristic, since we stand on two feet and our arms are free. Social dancing started in Europe during the Renaissance. Before dancing was ritual. In the beginning partners wouldn’t touch at all. Then they took each other’s hands in the minuet. Then the woman was on the man’s arms in the waltz. We can observe the tendency of partners getting closer to each other. Finally the couple dances intimately embraced in Tango.



Technical details and exercises:





- Hold hands, like an honest handshake.

- Center of your chests in front of each other.

- A vertical axis of the couple passes through this center between your chests.

- You can imagine a ball bearing as the joint between you and your partner, located in the central axis of the couple, at the midpoint of connection between each partner’s chest.

- The right hand of the leader is in complete contact with the follower’s mid-back.

- The embrace is neither too loose nor too tight. It must be warm, relaxed, versatile, and consistent.


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Thursday, December 7, 2023

"Así se baila el Tango" by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo, 1942.


"Así se baila el Tango" by Ricardo Tanturi y su Orquesta Típica with Alberto Castillo in vocals, 1942.

Alberto Castillo

Singer, actor, composer and lyricist (December 7, 1914 - July 23, 2002)

Alberto Castillo's distinctive style perhaps finds its roots in the whimsically humorous charm prevalent in the backgrounds of Rosita Quiroga, Sofía Bozán, or Tita Merello. However, it's crucial to note that these figures do not serve as influences on Castillo, as there exists neither a discernible similarity among them nor does Castillo bear any resemblance to them. Rather, they can be grouped together—alongside the subsequent addition of Elba Berón—due to a shared essence characterized by an unrefined cadence.

What ties them together is not an influence but a common atmosphere, a shared unpolished rhythm.

Yet, when Alberto Castillo delves into profound themes, the remarkable tenderness he imparts becomes evident.

In essence, he is a "voice that resonates unlike any other," echoing the profound words of the unforgettable Julián Centeya.

Read more about Alberto Castillo at www.todotango.com

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Saturday, November 25, 2023

"Charamusca" by Francisco Canaro y su Orquesta Típica, 1934.


"Charamusca" by Francisco Canaro y su Orquesta Típica, 1934.

Francisco Canaro

Musician, violinist, leader and composer. (November 26, 1888 - December 14, 1964)

His life parallels Tango's history: starting in the poorest neighborhoods of Buenos Aires, moving up the social ladder, and eventually achieving worldwide recognition.

His passion for music began in his childhood.

He decided that he wanted the music to be his profession, formed a trio, and went to play in a brothel in the town of “Ranchos”, eighty miles south of Buenos Aires, in 1906.

Canaro helped Tango to find its way to complete acceptance by all the sectors of Buenos Aires society, being the first Tango musician to play at the private parties celebrated in the houses of some of the most prominent upper-class families of Buenos Aires.

As a composer, from his first tangos, we like to share "Charamusca".

Read more about Francisco Canaro and the History of Tango

We are happy to have collaborated with the people from tangotunes.com, from whom some of you may have heard; they do high-quality transfers from original tango shellacs.


It is the number 1 source for professional Tango DJs worldwide.

- Now, they started a new project that addresses the dancers, and the website is https://en.mytango.online
You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
The price is 50€ each (for 32 songs for each compilation), and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!


Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

We have lots more music and history

How to dance to this music?



https://escuelatangoba.com/marcelosolis/charamusca-by-francisco-canaro-y-su-orquesta-tipica-1934-argentine-tango-music/

Friday, November 24, 2023

"Así se canta" by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943.


"Así se canta" by Ricardo Tanturi y su Orquesta Típica with Enrique Campos in vocals, 1943.

Marvil

Lyricist and composer (November 24, 1902 - May 8, 1976)

Marvil, a highly esteemed lyricist, left an indelible mark on the world of Tango, and his lyrical creations resonate across the lively atmospheres of milongas.

Embarking on his journey into tango lyricism in the mid-thirties, Marvil dedicated two fruitful decades to crafting evocative verses. From the outset, he achieved remarkable success, his compositions striking a chord with audiences.

Collaborating with numerous musicians, Marvil skillfully melded his words with captivating melodies.

A multitude of renowned voices lent their talent to bring his tangos to life.

A true maestro of Tango, Marvil adeptly captured the essence of his era. Infusing his work with a blend of humor and sensitivity, he painted a nostalgic portrait of his youth using watercolors that exuded tenderness and bore the distinctive mark of the forties.

Read more about Marvil at www.todotango.com

We are happy to have collaborated with the people from tangotunes.com, from whom some of you may have heard; they do high-quality transfers from original tango shellacs.


It is the number 1 source for professional Tango DJs worldwide.

- Now, they started a new project that addresses the dancers, and the website is https://en.mytango.online
You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
The price is 50€ each (for 32 songs for each compilation), and now the good news!

If you enter the promo code 8343 when you register at this site you will get a 20% discount!


Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

We have lots more music and history

How to dance to this music?



https://escuelatangoba.com/marcelosolis/asi-se-canta-by-ricardo-tanturi-y-su-orquesta-tipica-with-enrique-campos-in-vocals-1943-argentine-tango-music/

Friday, November 10, 2023

The Essence of Argentine Tango: A Journey of Self-Discovery and Community Celebration

The Essence of Argentine Tango: A Journey of Self-Discovery and Community Celebration

The Essence of Argentine Tango: A Journey of Self-Discovery and Community Celebration

To dance Argentine Tango is to experience life to its fullest.

Immersed in the essence of Argentine Tango, you embody a sense of wholeness.

Nurturing a profound connection with your body, you command your every move, breath, and emotion.

It's a mutual exchange of life's beauty and flaws, fostering warmth, empathy, and shared amusement.

It means belonging to a community of friends sharing the same joyous celebration.

Delving into the intricate world of Argentine Tango is an exploration of the self, a profound journey of self-discovery that challenges individuals to unearth a deeper understanding of their bodies and emotions.

Beyond the physical aspects, this dance form fosters connections and camaraderie, bringing together a diverse community of individuals bonded by their shared passion for Tango.

From the intimate embrace to the synchronized steps, every move celebrates life's joys and complexities, offering a unique perspective on human emotions and experiences.

As dancers immerse themselves in the rhythm and grace of Tango, they embark on a transformative journey that enriches their understanding of the dance and enhances their appreciation for the interconnectedness of the human experience.

Argentine Tango takes you to experience a profound sense of vitality as it encourages personal growth and demands a continual rediscovery of initial sensations through a deeper grasp of the human essence.

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Thursday, October 26, 2023

Dancing Argentine Tango: A Philosophy of Life and the Art of Being Human

Dancing Argentine Tango: A Philosophy of Life and the Art of Being Human

Dancing Argentine Tango: A Philosophy of Life and the Art of Being Human

To truly dance, one must live as a dancer lives.

By this, I do not mean dedicating oneself to dance as a profession. I wish to elucidate this idea through the following comparison:


If I were fond of riding a bicycle, I would require a well-crafted bicycle manufactured in a factory. It would be ready for me, with its tires inflated and its chain perfectly oiled, as soon as I hopped on and began pedaling.


The body and soul of a dancer are akin to this bicycle. Similar to how crafting a bicycle from scratch to ride it would be arduous, attempting to dance with an unconditioned, untrained, and unprepared body is equally challenging. Essentially, my body must be 'manufactured' beforehand, conditioned, trained, and primed to dance.

As I cannot dance without a dancer's body, and since I have only my body at my disposal from the moment I rise each morning, I must ensure that it is always primed for the dance floor.

While I believe anyone can dance at any time with minimal preparation because being human inherently involves being a being that dances, dancing Tango, in my view, demands much more in terms of subtleties, skills, perception, and awareness.

It is akin to philosophizing about the fundamental aspects of life, contemplating the value of life itself and the reasons for existence. In this contemplation, language may not always serve us best; sometimes, silence might be the most appropriate response.

This silence, however, is not resignation but rather a celebration. It reveals that the absence of our everyday language may not be a hindrance but rather an aid in answering the profound questions we face in our solitary moments.

As music, dance, culture, and a philosophy of life, Tango is more than the sum of its parts. It evokes excitement, love, meaning, and a sense of fulfillment we often dreamed of in our childhood. Perhaps it is not through exhaustive technical study, training, and the application of objective principles that we attain Tango. Instead, these endeavors only prepare the ground, nurturing it until it becomes fertile enough for us to become dancers truly.


What do we, as dancers, desire?


Perhaps it is to transcend the limitations of our bodies and embrace the joy of movement fully. Happiness, rather than an end in itself, could be seen as a tool for a life imbued with purpose and meaning.

Understanding our bodies and their spiritual implications through training and knowledge is crucial in this pursuit. We can then carry this wisdom into our social and intimate relationships, recognizing ourselves in others and knowing ourselves better through this mutual recognition. This is what truly makes us dancers.

This is why I believe conventional marketing, as professionals understand, cannot aid me in finding new students, encouraging more dancers to join milongas, or promoting Tango in its true essence.

For me, Tango embodies Friendship. How can one market friendship? And if it cannot be marketed, does it lose its value?

My students and I share a profound friendship rooted in our shared love for a dear friend called Argentine Tango. ❤️

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Wednesday, October 18, 2023

Embarking on the Journey to Mastering Argentine Tango

Embarking on the Journey to Mastering Argentine Tango

Embarking on the Journey to Mastering Argentine Tango

What is Argentine Tango?

Given that Argentine Tango is not easily described in abstract terms, I find it challenging to convey its essence through mere words or generalizations.

Thus, I resort to sharing my personal experiences with you.

Living Tango: Embracing the Essence Beyond Profession

Tango isn't my profession in the way your work is for you. For you, it's effort; for me, it's effortless. You work all day, longing for it to end, but I can't wait to dance more. You may call in sick, but I strive to stay healthy and dance my best every day. I've molded my life this way, akin to Sisyphus rolling his rock, but my task brings joy, not torment.

Teaching is a part of this process. With my students, we aim to enhance our dancing. Our growth benefits everyone, as we share the same dance floor at the milonga. My students' progress improves my dancing, and my improvement helps them in return. It's a perpetual spiral of betterment.

Does this mean I don't deserve payment for what I do, given that your work is a source of pain while mine brings joy?

Think of the money you give as an investment in your Tango. What benefits me also benefits the whole Tango community and, ultimately, you. I've devoted myself to Tango, which includes you if you're part of Tango.

If you're a new student, joining us means being part of a beautiful group striving to become better Tango dancers and milongueros.

You don't haggle over gas prices as you deal with a massive corporation. In contrast, I rely on your collaboration, besides the support of those who love me. If you can live without Tango, do so.

I offer deals, discounts, and generosity from my dance and life, not from an external source. To be generous is to live fully. I see dance as life's unstoppable productivity.

Don't trivialize Tango. It's not mere entertainment; it's a profound connection. Tango is not an "addiction" but a way of being.

Your path in life depends on what you desire. If you want nothing, you'll get nothing. If you seek a fulfilling life, it demands your all.

The Transformative Essence of Argentine Tango: A Lifelong Journey

If you don’t dance, being able to dance will demand from you a transformation.

If you do not dance, you are not a dancer. To dance, you will need to be a dancer, that means to become a dancer. To dance and not be a dancer is a contradiction. Observe that the most important word here is the verb "to be". Now you can understand that if you do not dance now, to be able to dance, eventually, a transformation of yourself is needed. If you are unsure about it, or you are satisfied with yourself and your life and do not want to change anything, then you don't want to dance, and if you don't want to dance, you won't dance.

Let's define a dancer: someone who continuously pursues improvement as a whole, becoming stronger, more versatile, aware, sensitive, responsive, skillful, sympathetic, ethical, beautiful, charming, witty, and fun to be with; who doesn't need anything else other than to be present to make everyone with good feelings sense that the lights of life have been turned on, making everything look beautiful (Disclaimer: if you don't have good feelings you most likely sense the opposite). In sum, a dancer is a wonderful example of a human being. I cannot think of anyone better than a milonguero and a milonguera. If an intelligent alien from outer space comes to our planet, I would like the alien's first impression of intelligent life on Earth to be a milonga in Buenos Aires, one I regularly visit. I will take you there, not before educating you -as needed- about what Tango is if you want to find out the complete meaning of my words.

A dancer is not a specialist, someone who knows all about a narrow segment of life, in this case, dance. On the contrary, a dancer is the most complete of all examples of human existence. A true dancer is a Renaissance person.

At the beginning of human existence is dancing. A baby in the womb perceives its mother's voice as music, without separating the sounds from their meaning, responding to it with the interpretation of its whole body and existence. The baby is dancing.

Beyond Therapy: Tango as an Integrated Way of Being

There are countless ways to pass the time without evolving, without exertion, without passion, and without any endeavor.

Given the current inclinations of many individuals, I understand the appeal of such activities. Yet, if there's a dancer's seed within you, you might experience a sense of discomfort when engaging in these leisure pursuits. You may resort to self-medication, alcohol, substance abuse, or even addiction.

Alternatively, you could choose to detach from your body, gravitating toward extreme religious or intellectual pursuits, effectively becoming a living statue or a consciously impaired individual.

Another option is to maintain a fragmented relationship with your body, compartmentalizing it like a puzzle, focusing on different muscle groups each day, eventually creating a disjointed physique struggling for coherence.

This partitioning of the body mirrors the segmentation evident in various facets of life.

Hence, Tango shouldn't be seen as a therapeutic remedy. Therapy and Tango don't align. In Tango, as a way of being, you need not compartmentalize yourself into distinct physical, psychological, and spiritual categories. From the Tango perspective, these realms aren't separate entities. Therefore, psychology, religion, or regular gym sessions might not hold the same relevance for a milonguero.

Embrace Tango: The Full Monty Game

To embrace Tango fully, you must embody Tango itself.

There's no halfway point; it's an all-or-nothing pursuit.

Becoming an Exceptional Milonguero/a: A Comprehensive Guide

Firstly, replace "Tango dancer" with "milonguero/a" in your vocabulary. Secondly, in Tango, nothing less than greatness suffices.

Commence with classes, alternating between group and private lessons regularly, more than once a week.

How can you identify a good teacher?

You don't learn Tango from an "instructor"; you learn Tango solely from a "Maestro." First, appreciate your teacher's dance. Research is simple now; you can find videos of your teacher's performance.

Your instructors should demonstrate their dance in class, but the test is in Buenos Aires's milongas. Some excel onstage but struggle in milongas, unaware of or ignoring the basic codes of conduct. An authentic teacher is part of the milonga community.

Choose a teacher not just for their amiability. Consider it like this: Tango is my family and my world. By joining, you imply a desire to belong. Will you cherish my world when I'm gone? Will you love my family? Will you strive to better Tango for everyone? Will you collaborate with Tango or merely seek temporary enjoyment, leaving your trash behind, indifferent to nature's beauty?

My regular students and assistants enrich my life beyond measure. Don't miss the chance to welcome them into your life.

During a recent trip to Buenos Aires, one of my senior students conversed with his wife in a foreign language at a milonga. Another lady, also fluent in that language, engaged with them, leading to a dance. After one song, she asked him, "Why did you wait so long?"

You'll grasp Tango's worth through your teachers in group and private lessons.

Exploring the Essence of Tango Melodies

Explore the melodies of the Golden Era in Tango music.

Consult your instructor for guidance and build your collection of Tango classics from the period when Tango thrived in Buenos Aires and other major cities in Argentina. This music resonates in our classes.

I am curating an Argentine Tango music library on my website.

Listen to Argentine Tango music

The Crucial Role of Milongas in Your Tango Journey

You need to attend to milongas.

It doesn't matter how many group classes and private lessons you have taken. Tango is not a private and closed relationship with your teachers. If you're a new student and feel like you know too little compared to others, then being at a milonga will significantly increase your knowledge about Tango.

Perhaps you've taken many group classes and private lessons, then being at a milonga will present Tango to you contextualized, similar to learning a language and visiting a country where that language is spoken. The sooner you start going to milongas, the better. Your Tango needs to grow there.

You will be able to understand the reasons for many elements and details in Tango that in classes may seem arbitrary to you. It all makes perfect sense when you dance at milongas. Besides, your teacher needs to see you attending and dancing at milongas to fully assess what you need to work on to improve your dance. If you do not feel confident dancing yet, you do not need to dance; going to milongas is beneficial even if you do not dance there yet.

I recommend starting by going to the milongas your teacher goes to and going to the milongas your teacher organizes if they do. It would be best if you were introduced to the milonga community by someone who belongs to it.

I want to note that although a dance party may be labeled a "milonga," it is not necessarily so. If your teacher is a great dancer (you do not want less from your teacher's quality of dance), he belongs to the community of the milongas and Tango. He will know where to go and will organize authentic milongas.

I am blessed by belonging to the community of milongueros who go to the most wonderful milongas in Buenos Aires and by the group of my students and regulars who come to the milongas that I go to. Don’t miss joining us at the next milonga.

Becoming Tango in Buenos Aires: A Journey of Culture and Passion

You must come to Buenos Aires.

If you learn the French language, it makes sense to go to France and speak the language there. That is where you will feel the multi-dimensionality of the language with your whole being. You may love French culture so much that you decide to move there or travel there often, any time you have the chance, and in this process, you make many friends in France, which makes you want to travel there even more often.

That is how you will become Tango yourself: by going to Buenos Aires often. Learning a language and culture only to visit it once is incongruent, at best.

I will be honored to introduce you to the community of milongueros in Buenos Aires, to which I am humbled to belong. I currently go twice a year, in the spring and fall, accompanied by a group of my students. I show them the city of Buenos Aires, take them to classes with my teachers and colleagues, and bring them to the milongas, where I am a regular.

I continue the tradition of passing the torch of Tango in the same way that my teachers were introduced to Tango in their times, by taking my students to where I regularly go and sharing my knowledge and passion for Tango.

Conclusion:

Dancing Tango demands genuine style and personality.

You won’t dance Tango because you know a piece of choreography. You will dance Tango if you put yourself as a link in the chain of the Art of Tango through time, meeting and learning from the best dancers that Tango has produced, from the milongueros.

You must realize the responsibility of caring and passing along this Art in the future, not necessarily teaching it, but fundamentally being a great dancer yourself, teaching it with your example.

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Tuesday, October 17, 2023

"Motivo sentimental" by Carlos Di Sarli y su Orquesta Típica with Alberto Podestá in vocals, 1944.


"Motivo sentimental" by Carlos Di Sarli y su Orquesta Típica with Alberto Podestá in vocals, 1944.

Carlos Bahr

Lyricist and composer (October 15, 1902 - July 23, 1984)

Little is known about this author, who came to tango poetry due to his early inclination towards literature, which initially shifted towards native songwriting and later embraced urban music. With no secondary education, his formation was that of a classic autodidact who, in reading - done disorderly and without appropriate guidance since childhood - found the means that his natural intelligence was awaiting, eventually acquiring some basic knowledge to refine his language, enrich his intellect, and stimulate his literary vocation. The thematic diversity was notable in Carlos Bahr, even more evident due to the prolific nature of his work.

But his preferred subjects were love and tango itself, which he reflected and recreated in different compositions and with various treatments, never straying from romantic flights and all brimming with urban flavor and authenticity.

We want to share this talented poet's "Motivo sentimental" tango with our audience.

Read more about Carlos Bahr at www.todotango.com

Amazon music

We are happy to have collaborated with the people from tangotunes.com from whom some of you may have heard, they do high-quality transfers from original tango shellacs.


It is the number 1 source for professional Tango DJs all over the world.

- Now they started a new project that addresses the dancers and the website is https://en.mytango.online
You will find two compilations at the beginning, one tango and one vals compilation in amazing quality.
The price is 50€ each (for 32 songs for each compilation) and now the good news!

If you enter the promo code 8343 when you register at this site, you will get a 20% discount!

Thanks for supporting this project, you will find other useful information on the site, a great initiative.

Ver este artículo en español

We have lots more music and history

How to dance to this music?


https://escuelatangoba.com/marcelosolis/motivo-sentimental-by-carlos-di-sarli-y-su-orquesta-tipica-with-alberto-podesta-in-vocals-1944-2/